a nice trick that, there
and not but hoping for
some contact, a brush of
breath or return word
like “yes” to ease the lonely utterance,
to ease the lonely
otherness that follows us
all always giving
into sleep would be giving in to
the imagined presence of
you—clandestine and uncertain
reader, there
and not
a vague after-image
like recognition, or the shift
beneath us as something larger moves:
language, soil, the news . . .
Poem and you meet in a bar
not the usual but one at the edge
of downtown and the conversation
is about line breaks, line
breaks and repetition, line breaks
and where to pause and let the other
possibility occur, words lingering
suggestive but not fulfilled until
you break the linguistic sign into
a question of waiting or giving love
the next evening, Poem waits
in a bar, a different bar, wondering
whether to write or go home
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1 comment:
ah, a response to r.m.'s review? awesome. he was trying so hard to make a point he missed it. quite ignorant of Poem's (non)purpose, I thought.
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